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Eefje was eén van de acht Nederlandse kunstenaars die Nederland vertegenwoordigde op de Wereld Tentoonstelling rond Duurzaamheid in Dubai

Art boost innovation



Documentary filmmaker Eef de Graaf took stock of Dutch testing grounds for the transition to a sustainable society. Innovation egged on by an increasing sense of urgency.

 

The Netherlands’ National Climate Agreement, signed in 2019, boasts ambitious targets. At least a 49% reduction in CO2 emissions in comparison to 1990 by 2030 and a 95% reduction by the year 2050. However, alongside political determination, practical projects will be required to achieve these goals. This means finding new, sustainable ways to produce energy and food. The industrial cycle needs to be closed, and waste eliminated. And all this has to be achieved in a natural environment increasingly dominated by rising sea levels, subsiding land and salinisation of agricultural land.

In the years leading up to the National Climate Agreement, documentary filmmaker Eef de Graaf explored the outer edges of the Dutch delta, from Zeeland in the south west to the Wadden Islands in the north east. In Sustainable Islands she talks to scientists, entrepreneurs, policymakers and concerned citizens struggling with water management challenges, experimenting with new food crops, transitioning to renewable energy and trying to combine consumptive needs with environmental restraints. They live and work on the many islands along the coast that function as both testing grounds and showcases for innovative projects. However, for De Graaf, these islands are also a metaphor for the individual efforts that desperately need to be connected, combined and scaled up to truly have an impact.

De Graaf originally trained as a figurative painter and a certain visual sensitivity shines through in her documentary. She portrays Dutch landscapes the way Ruysdael, Van Goyen and other Old Masters did, focussing on the man-made land under tall, cloudy skies. Unlike her predecessors, she is fully aware of the fact that this landscape is only ‘on loan’. During her period of filming the Netherlands experienced two of its hottest and driest summers of all time, driving home the urgency of change.

 

“People tend to think in terms of neatly parcelled projects, but in the climate crisis everything is connected.”


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